Prostitution and Brothel Drama in the Progressive Era

Main Menu

Skip to content
  • Home
  • Digital Team
  • Brothel Dramas
    • The Web (1913) by Eugene O’Neill
    • Moondown by John Reed (1915)
    • Cocaine (1916) by Pendleton King
    • Ourselves (1913) by Rachel Crothers
    • My Little Sister (1913) by Elizabeth Robins
    • A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer
    • More Brothel Plays
      • Dealers in White Women
      • The Fight by Bayard Veiller
  • Key Players
    • Playwrights
      • Rachel Crothers
      • Eugene O’Neill
      • Pendleton King
      • John Reed
      • Elizabeth Robins
      • Samuel Shipman and John B. Hymer
    • Actresses & Actors
      • Fay Bainter
      • Grace Elliston
      • Ethel Howard
      • Mattie Keene
      • Eugene Lincoln
      • Josephine Meyer
      • Evelyn Nesbit
      • Ida Rauh
      • Constance Talmadge
    • Directors
      • Rachel Crothers
      • Edward Goodman
      • Margaret Wycherly
    • Audiences
    • Costume Designers
  • Big Screen
    • Film Clips
    • Film Analyses
    • Promotional Materials
  • Historical Contexts
    • Articles of Interest By Opening Year
    • Prostitution
    • Birth Control
    • Immigration
    • Obscenity & Censorship
    • Race
    • Socialism
    • White Slavery
    • Fashion
  • After the Red Lights
    • Current Conversations

Category Archives: Spectatorship

Why Does the Sensous

Why Does the Sensuous Appeal Prevail on Stage, Theatre, November 1915

April 16, 2015by Tyler Groff Leave a comment

An essay that explores stage presence and de Wagstaffe’s notion of the “sensuous appeal.” William-de-Wagstaffe-Why-Does-the-Sensuous-Prevail-on-the-Stage-November-1915

Read Article →
Actresses & Actors, Costume Designers, Gender, Spectatorship
Leading Image Final Final

The Stage Struck Girl, Theatre, November 1915

December 9, 2014by Tyler Groff Leave a comment

The Stage Struck Girl–Theatre November 1915

Read Article →
Actresses & Actors, Gender, Spectatorship
Variety - January 1919

Variety Review of East is West

December 9, 2014by Tory Lowe Leave a comment

This review of East is West appeared in Variety‘s January 3, 1919 issue. Note that Forrest Robinson is credited with replacing Frank Kemble Cooper in the role of Andrew Benson […]

Read Article →
A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer, Race, Spectatorship
Is the Stage Leading Image

Is the Stage a Perilous Place for the Young Girl, Theatre, January 1915

December 2, 2014by Kathleen Johnson Leave a comment

Edith-Wynne-Matthison-and-Lillian-Russell-Is-the-Stage-a-Perilous-Place-for-the-Young-Girl-December-1914-and-January-1915

Read Article →
Actresses & Actors, Gender, Obscenity & Censorship, Spectatorship

Post navigation

Search

SEX FOR SALE: SIX PROGRESSIVE-ERA BROTHEL DRAMAS

Sisters in Sin: Brothel Drama in America, 1900 – 1920

TagCloud

Abortion actresses Adaptation Adaptations Anarchy Birth Control brothel career censorship chinese prostitution Corruption Crime Decency drug abuse elizabeth robins Eugene O'Neill Evelyn Nesbit Feminism Film Clips Immigration John Reed journalism Katie N. Johnson Labor Miami University miscegenation Morality Pendleton King performance Poverty Prostitution Provincetown Players race sing-song girls Sisters in Sin: Brothel Drama in America Socialism Stage Suffrage theatre Urbanization Vice War White Slavery Women's Work yellow face performance

xxxx

February 2023
M T W T F S S
« Nov    
 12345
6789101112
13141516171819
20212223242526
2728  
Proudly powered by WordPress | Theme: Oxygen by AlienWP.